搜索"达尼埃尔·于伊耶" ，找到 部影视作品
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RFA/1972/15‘/VOSTF/16mbbb d'après«IcanidelSinaï»deFrancoFortini.
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81-year-oldmaster,Jean-MarieStraub,onceagaininventsandsurpriseswithhislatestfilm.Kommunistenconsistsofsixparts,fiveofwhichhavebeentakenfromhisearlierworks.Straubdoesnotaimtobeself-reverential,butinsteadwantstomakedifferentblocks(oftext,time,andlanguages)clashsoastohighlightinvisibleelementsoffeelingsandpolitics.Itisafilmabouthumanadventure,fromthepastcenturytotheoneahead.Inthisproject,allthethingsthatthefilmsofJean-MarieStraubandDanièleHuillethavebeenbasedonforthepastfiftyyears,findtheirmostrawandrecentformccc
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ThesubtitleofJean-MarieStraubandDanièleHuillet’sfirstfeature,from1965,“OnlyViolenceHelpsWhereViolenceReigns,”suggeststhefiercepoliticalprogramevokedbytheirrigorousaesthetic.Thepretextofthefilm,setinCologne,isHeinrichBöll’snovel“BilliardsatHalfPastNine,”whichtheystripdowntoahandfulofstarkeventsandfilmwithaconfrontationalangularityakintoBartók’smusicthatadornsthesoundtrack.Thesubtlestofcuesaccompanythestory’scomplexflashbacks.Themiddle-agedRobertFähmeltellsayounghotelbellhopofpersecutionsundertheThirdReich;hiselderlyfather,Heinrich,anarchitectfamedforalocalabbey,recallsthemilitarismoftheFirstWorldWar,whenhiswife,Johanna,incurredtroubleforinsultingtheKaiser.Athird-generationFähmelisconsideringarchitecture,justastheexiledbrotherofRobert’slatewife,returns,onlytobemetbytheirformertorturer,nowaWestGermanofficialtakingpartinacelebratoryparadeofwarveterans.StraubandHuilletmakethelayersofhistoryliveinthepresenttense,whichtheyjudgeseverely.Thetamped-downactingandthespare,tensevisualrhetoricsuggestastateofmoralcrisisaswellastheresponse—asmuchinstyleasinsubstance—thatitdemandsbbb